Cinema Is Dead, And The Writers Are To Blame
Mike Leitao ~ 07/29/2024
Something many people might not know is that Riot Club is the culmination of almost a decade worth of interest and ideas between Sam and I. We have both been passionate about writing and using our creativity to share unique perspectives on topics. Because of this, I have strong feelings around most forms of media, especially cinema and film writing, and that is currently shit. People will find ways to blame the actors and actresses, or the directors, or the studios or production since at the end of the day they are the ones who spend weeks working to put together these movies. But make no mistake, the reason that movies and shows suck so much now is due to the fact that the people writing these new movies and shows have little to no creativity and have no care for putting out good content.
Some sequels are really good, maybe even better than the originals. Sometimes a movie franchise is so good and consistent, or the story is so in depth and engaging, that it deserves to have multiple movies made about it. All that being said, the film industry relies on sequels more than someone with no legs relies on a wheelchair. Below is a list of the top 10 highest grossing films of 2024 through the end of July, and I want you to tell me if you notice a trend…
· Inside Out 2
· Despicable Me 4
· Dune: Part Two
· Deadpool & Wolverine
· Godzilla x Kong: The New Empire
· Kung Fu Panda 4
· Bad Boys: Ride or Die
· Kingdom of the Planet of the Apes
· Twisters
· A Quiet Place: Day One
Every single one of these movies above is a sequel in some capacity, the only one that can get away with not being a direct sequel is Twisters which is considered a standalone sequel. Just last year, 6 of the top 10 highest grossing films were unique concepts or original movies. It is also likely that other than Inside Out 2 and Deadpool & Wolverine, no other movie on this list will come within the top 5 range of 2023. Sequels pry on nostalgia and hoping people remember when they watched the first movie that was good… so logically the next movie up must be good too. But therein lies the problem, the movie buzz is already being generated through the name and the nostalgia of the first one, so whether the writers write the greatest film ever or an absolute pile of dog shit, the initial grossing of the movie will not be changed. Then you look at movies from last year like Barbie and Oppenheimer and you see that unique and original ideas interest people and help get more viewers past the initial phase. Most people I know have watched one or both of those movies because they were unique concepts you would not have seen before, and they were both written excellently. I am not saying all sequels suck, hell, I am not even saying all the sequels listed above suck, but when the reason people are going to see your movie is because they see the trailer and go “oh I remember the first one that was good, I should go watch it” and not “wow that is a really interesting and unique movie I should go see it”, it instantly takes all the stakes out of creating a good and credible movie.
Writers complain more than almost anyone else on the planet. Writers always think it is unfair what they are receiving pay-wise and that they never get the credit they deserve. Writers, who spend their careers attempting to create something that will bring happiness and joy to others are ironically, some of the most selfish people in the world. Unless you lived under a rock, you would be aware of a large writers strike that took place in 2023 from May through September. The strike was carried out with the goals of increasing writer pay (mostly in the streaming service area), increasing job security, and limiting the use of A.I. in the writing process. The strike took 148 days, resulted in the loss of 45,000 jobs, and caused an estimated loss of $6.5 billion to the economy of California. I understand and fully support the limiting of A.I. in the writing process, it continues to develop at an extremely fast pace, and I understand the fear that A.I. causes to the writing community. Complaining about pay will always be stupid to me. Everyone in the world wishes they could be paid more, but complaining because in 2020 when you signed the MBA (Minimum Basic Agreement), setting a minimum wage for only network TV writers, even though we were two months into COVID and streaming services had already been on a heavy upswing in 2019, is beyond stupid. Poor negotiations originally led to the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP) to be so far apart when the MBA expired in May of 2023 that it resulted in a strike. Yes, there is no guarantee that we wouldn’t have had a strike in 2020, but also at that time people were locked in their houses and had nothing to do, it was arguably when the WGA should have had the strongest pull since people needed entertainment during that time. Similarly to pay, we all want job security that guarantees us employment, but for the WGA to request a duration of employment and mandatory staffing for all contracts that would require a minimum number of writers for a minimum amount of time whether they were needed or not is flat out ridiculous. The other awful thing about the strike no one talks about is that it impacted so many other people. Directors, actors, and business owners were all negatively affected by this strike, yet they all had to be supportive of it since any time anyone spoke out against it there was so much unnecessary and unwarranted backlash they were forced to apologize. The WGA also has a history of striking, going on strikes in 1960, 1981, 1988, and 2007. Those 5 strikes have a combined duration of 640 days, or 1.75 years. Look at other industries to really see how dumb writer strikes are. When construction workers strike, infrastructure breaks down, if accountants were to go on strike, major businesses would lose millions of dollars and it could create trickle down effects that impact most citizens. If pilots go on strike, the world is grounded and people can’t get to where they need to be. All of these examples are strikes that would cause actual damage to the world, meanwhile, writers are striking what seems like all the time and to the everyday person the impact is that we get shitty media for a little while.
The other awful thing about the strike no one talks about is that it impacted so many other people. Directors, actors, and business owners were all negatively affected by this strike, yet they all had to be supportive of it since any time anyone spoke out against it there was so much unnecessary and unwarranted backlash they were forced to apologize. The WGA also has a history of striking, going on strikes in 1960, 1981, 1988, and 2007. Those 5 strikes have a combined duration of 640 days, or 1.75 years. Look at other industries to really see how dumb writer strikes are. When construction workers strike, infrastructure breaks down, if accountants were to go on strike, major businesses would lose millions of dollars and it could create trickle down effects that impact most citizens. If pilots go on strike, the world is grounded and people can’t get to where they need to be. All of these examples are strikes that would cause actual damage to the world, meanwhile, writers are striking what seems like all the time and to the everyday person the impact is that we get shitty media for a little while.
I am truthfully happy writers have more job security and better pay, it is great for them, and as a writer it would be wild to hate them for improving the quality of their lives. But one thing all writers should remember is that your job is a service job, you are not a requirement to society for it to be able to function, you are an add-on to most peoples’ lives and your goal should not be about collecting the biggest paycheck (again get your bag, we all know money is important), it should be about using creativity to create things that bring people together. If you joined the writing industry for anything else, chances are you picked the wrong job.